This paper aims to understand the delivery of crime prevention through environmental design (CPTED) across Europe – from European-wide procedures through national schemes to effective local strategies.
The findings come from a review of published literature and reports, case studies and site visits conducted primarily during COST Action TU1203 (2013-2016).
The contribution is focussed on the question of which logic and which distinctive lines of development have shaped the discourse on urban crime prevention and will probably shape it in the future.
Comparing the line of development in thinking about urban crime prevention: starting with the approaches of the rational choice theory and of architectural determinism that were integrated in the practical approach of crime prevention through environmental design (CPTED). Looking on the continuation in the recent past: aspects of social cohesion and disorganization in the neighbourhood – represented by the collective efficacy – were integrated with the traditional lines of argumentation. Continuing to the present, the actor network theory opens up advanced perspectives of the integration and development of urban crime prevention.
I have always been interested in folk music, from being introduced to Welsh folk songs at school, and then through attendances at folk clubs in my teens, to much more recently when I ran a folk music club in my local town before I emigrated to Corfu in 2013. Around 15 years ago, at a folk festival in the South West of England, I first encountered the duo “Show of Hands”, although Steve Knightley and Phil Beer had been performing together as Show of Hands since the mid-1980s, and have performed as a trio with Miranda Sykes on and off since 2004. Show of Hands performs and records a mix of traditional and original songs. Apart from the sheer exuberance of the performers, what really struck me about their music was the inextricable link between their songs and the places about which the lyrics related. Indeed, the band’s own Facebook page stresses that “being rooted in Devon and the West Country … is part of the very fabric of this band and our material is closely entwined with its social history and geography”. Continue reading “Representations of Place in Music”→
Dr Heather Skinner* has undertaken research into “Business Tourists’ Perceptions of Nation Brands and Capital City Brands: A comparison between Dublin / Republic of Ireland, and Cardiff / Wales”. Her research paper is soon to be published in the Journal of Marketing Management (JMM).
Following up from our first blog entry on the normalisation of autonomous areas within urban centres, we embarked on a two week research trip in Slovenia and Denmark visiting the places in question, appreciating the communities that live and work in them, and engaging in fruitful discussions with them, as well as with the areas’ other stakeholders such as city representatives.
This blog entry is dedicated to the area of Metelkova Mesto, the semi-squatted cultural neighbourhood of Ljubljana, Slovenia, and the attempts of the municipality, as well as the state of Slovenia to “broaden” the cultural zone surrounding the urban squat and create a cultural space where all stakeholders can meet and contribute to the place’s brand: apart from the autonomous squatted buildings, the city of Ljubljana operates the Museum of Contemporary Art, whereas the state of Slovenia has also founded the Ethnographic museum in the same quarter. From state, to municipal, to autonomous level, the broader cultural zone of Metelkova Mesto creates the impression of a place dedicated to the promotion of arts and culture, a valuable asset to the city and to the country itself. 
This month our new Innovate project started. The project will bring big data to town and city centre decision makers, enabling them to optimise footfall whilst also improving the experience of centre users. The first stage of the project (running from now until Spring 2017) is very research focused. Because we have over 9 years of hourly footfall data, courtesy of the project lead Springboard, the research team at the Institute of Place Management (Manchester Metropolitan University) and the University of Cardiff can really start to work out how and why town and city centres perform as they do. Our findings will then be incorporated into a place management information system and a serious of dashboard products, built by our technology partners MyKnowledgeMap.
The image of a country can be perceived internationally by means of a plethora of dimensions: associations, impressions, beliefs, representations, schemes, feelings, interactions, experiences, inter alia. Dimensions of a country brand are undoubtedly multifaceted – social, cultural, economic, political, environmental, behavioural – as several participants are involved internally and externally. Additionally, the main five complexities of the country brand are the following: stakeholder-related issues; government involvement; interdisciplinary and multidisciplinary opportunities, and potential nation brand models. Furthermore, the temporal dimension plays an intrinsic role. In view of this complex scenario, research in regards to country brand image can be undertaken by two approaches – academically or by consultancy indexes. Evidently, academic research focuses on theoretical and methodological advances, creating new conceptual frameworks and appropriate philosophies. The country brand indexes developed by specialized consultancies are often based on global real-data available from worldwide institutions. Continue reading “Evolution of country brand research: Studies on Brazil’s brand image”→
The research community within the IPM is constantly challenging how we think about place and what place means. I am concerned about people (and even their non-human companions!) in places. I have long struggled, as many academics have, with the idea of place-making and the queasy notion of wading into communities and suggesting that these places can be ‘better’. My own PhD research examined communities how they shape their own identities through drawing or resisting place-imaging projects. By spending time with community groups and undertaking participant observation at official and unofficial Liverpool Capital of Culture events (both during and after 2008) I was able to understand how local people performed identities which related to their sense of belonging to their neighbourhoods and the wider city. It considered the balance between creative improvisation and the constraints of social and cultural norms in forming identities.