Jess Edwards, Fellow of the Institute of Place Management, is Head of the Department of English at Manchester Metropolitan University. His research, since his Phd in the 1990s, has consistently focused on the literary aspects of geography and the geographic aspects of literature. Until 2014 his publications dealt with seventeenth and eighteenth century geographic culture, but recently he has begun a project exploring the place of literature, culture and public participation in landscape policy and strategy. Edwards is part of a local research group of creative writers and critics at Manchester Met with an interest in place, which supports an MA course route in Place Writing and a growing number of Postgraduate Research students in the area. Continue reading “Meet the IPM: Interview with Dr Jess Edwards”
by Dr. Ares Kalandides 
Reading the multiple stories that have been praising Berlin with its youth culture and creative scene as the rising star among European cities, it is easy to forget how recent this development actually is. The 2015 Spielberg film “Bridge of Spies” reminds us of what Berlin was mostly about until the fall of the Wall in 1989: World War II (and the Nazis) and the Cold War (and the spies). These two images are still deeply woven into the city’s fabric, although today they’ve become a kind of spectacle for thrill-seeking tourists. (There is a third one, but I’ll come to that later). In this short article I’m offering a personal account of how this passage from one narrative – the dark one – to the other – the playful one – took place. Of course memories cannot always be trusted. Although I was in Berlin on and off since the mid 1980s and permanently since the fall of the Wall, I’m sure my mind has put order and continuity into a much more chaotic and heterogeneous development.