“Unveiling the sediments of a lost landscape”: William Titley’s Demolition Street

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A collection of door knobs. Unclaimed mail. An ironing board. Through recording the evacuation of one Lancashire community, finds Steve Millington, the artist William Titley has made permanent a series of internal displacements, and the exposed the true meaning of “placelessness”…

by Dr Steve Millington

Yi Fun Tuan established the term “topophilia” in the 1970s. An awkward word, but it describes an emotion we all share, a deep attachment to place. We might express this through love for one’s country or perhaps through civic pride, but our strongest bonds are to ordinary places connecting our everyday habits and routines, what we might call home.

Home is perhaps the most important place in our lives. Beyond basic human needs of shelter and security, home is ideally a place where we can escape, be ourselves, find comfort, rest, experiment, create, laugh, dance, without too much concern about what others might think. Here we build and maintain the social relations necessary to support a sense of belonging considered essential for well-being and happiness. We only have to imagine the plight of millions of refugees who have had to leave their homes, neighbourhoods, the places where they were born, schooled, worked, ate, played, to realise how our lives might quickly untangle into a precarious state. Feeling ‘out of place’, feeling that you don’t belong can be soul destroying. Continue reading ““Unveiling the sediments of a lost landscape”: William Titley’s Demolition Street”